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I always wanted to have a career that would keep me at home in New York so I can work in the theater all the time and be involved in the creative process from the ground up.
I've always wanted to be a writer. Always been very creative. I always laughed at things that the rest of my family would sort of get angry, like not understand.
Women are not weaker. Read that again. Women are not weaker. They are just as strong, just as resolute, just as creative, and are filled with just as much potential as any man.
Music is a lot more like solving an intricate puzzle with moments of pure, random creative bliss... whereas painting is much more purely random creative bliss with moments of problem solving.
I take conscious breaks for myself 'cause I like to rejuvenate and get my creative juices flowing. I also like to take my time with my creativity; I think it's important.
To me, my parents are my mom and dad, and we were able as kids to do a lot of cool things. Just being part of that family definitely brought out and cultivated the creative arts in us.
You have to be able to play: this is spontaneous interaction, and it flexes all the creative muscles you need as a writer. And empathy is one of those muscles.
My mother was the most creative, fantastic person and would come up with great things for us to do. She'd buy art supplies and all of us would sit around painting. I was lucky.
I went to see "The Piano" with Holly Hunter when I was in a Paula Vogel play, and I was just gone. I couldn't focus at all. It took that creative part of my brain with it so absolutely.
If you're an actor in your heart, no matter how much money they shove at you, it doesn't matter if the work doesn't provide that creative spark. You want out.
In a creative business, if you're happy, it will come out in your work. I don't see how you can be happy if you don't like the people you're working with and if they aren't a joy to have fun with.
Every work of art should give utterance, or indicate, the awful blind strength and the cruelty of the creative impulse, that is why they must all have what are called errors, both of taste and style.
It's hard for me to figure out where I want to be. But it's definitely in New York. I feel like New York throws different challenges at you and you can be more creative.
The '80s was a really creative and brave period. Remember, it was a period of ultraconservatism, and so you needed brave people to push ahead like that.
Once you abstract from this, once you generalize and postulate Universals, you have departed from the creative reality, and entered the realm of static fixity, mechanism, materialism.
If you're the creative, artsy one who goes off to study painting or filmmaking, you're often seen as an outsider partly because traditionally, it has never been seen as a way to have a career.
Especially for fostering creative, conceptual work, the best way to use money as a motivator is to take the issue of money off the table so people concentrate on the work.