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Creative Writing Quote of the day
I would, however, start writing fiction about 10 years before I actually did, because it's such great fun to do, many times more creative than nonfiction.
I got out of college and I went to get my master's in creative writing at San Francisco State. I was working as an actor at the Actor's Workshop, being abused as a intern.
Like Elmore Leonard and Donald Westlake and Robert B. Parker and oh so many others, I want to die with my boots on, facedown on my keyboard if possible, in the middle of a sentence.
Some day some one will write a book about that frantic search of the creative worker for silence and freedom, not only from interruption but from the fear of interruption.
A good edit process turns rocks into diamonds, and every author should love that part as much as the creative phase. I do love it. It's a different side to writing. It's like the fine-tuning.
None of my English teachers in college were praising me or telling me I was anything special. But then in creative writing classes they were. And I enjoyed those more anyway.
We have to have genius creative thoughts precisely four times a year and on exact dates. I actually write them on my calendar. I write, 'Friday, Nov. 8. Three o'clock. Have a genius creative idea.'
The professionalization of poetry, or the balkanization, has come out of the fact that when you apply to most creative writing programs, you have to choose your genre.
I didn't do a masters in creative writing until I was 26, which is quite old, and then I found myself in New York and I needed money, so I started working full time as an editor.
In high school, I wanted to be an actress. Until I got to college and took some creative writing courses. Then I decided I wanted to become a novelist.
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.