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I was not naturally talented. I didn't sing, dance or act, though working around that minor detail made me inventive.
In theater and dance, I was trying to win someone's approval, trying to get in, trying to be good. It felt out of my control, whereas music suddenly felt like this free expression. It was fun.
When I dance, I love the romance and sexiness of it, and love having it be clear to both dancers that the man leads! But the man has to know what he's doing!
I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had.
Those who manage change in modern organizations need to learn to dance, to become healers capable of releasing collective energy to heal the wounds of change.
I wanted to do dance with the same seriousness as art was done and acknowledged, not with the entertainment factor that is always connected to theater and film.
when dancing is right, the movement possesss a logic common to us all, an inevitability that takes it beyond the personal and egocentric and makes of it classical art.
Dance, like music, knows no geographical boundaries, no linguistic barriers and no racial divisions. All walls crumble where art is concerned. It is a great unifying and integrating force.
We were doing the dance routine and I dislocated my knee. I've been doing stunts for a long time and it's kind of weird that I'd dislocate my knee just dancing.
Now, neighbor confines, purge you of your scum! Have you a ruffian that will swear, drink, dance, revel the night, rob, murder, and commit the oldest sins the newest kind of ways?
It is a temptation to exploit one's technique because an audience is easily reached this way, but they cannot be moved by technique alone and to move an audience is the role of dance as an art.