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Reflection is an underlining theme of Design Thinking.
The late eighties was a good vintage. ID was not yet fashionable so a lot of people were doing it for the right reasons - to make good design, not become stars.
Good design is as little as possible. Less, but better, because it concentrates on the essential aspects, and the products are not burdened with non-essentials. Back to purity, back to simplicity.
It's not all that important that you be able to originate brilliant ideas... The more important talent is to be able to recognize good ideas from other people.
In geometry, as in nature, the circle is the archetypal shape of wholeness and inclusion. It is an effective shape for nonprofits or community-focused efforts.
I've learnt something from every failure. The products I helped design at the first two companies I worked for were utter failures. But now I know why.
No one who set out to design a form of communication would ever end up with anything like English, Mandarin, or any of the more than six thousand languages spoken today.
I don't start with a design objective, I start with a communication objective. I feel my project is successful if it communicates what it is supposed to communicate.
If I wasn't an actress, I'd be a designer. I love interior design and inventing things that are practical but also beautiful - looking at a space and creating magic.
The success stories in biotechnology are mainly due to the straightforward application of design thinking in both the business and science aspects of our lean startups.
Genome design is going to be a key part of the future. That's why we need fast, cheap, accurate DNA synthesis, so you can make a lot of iterations of something and test them.
When I design, I always pull from things that are significant to me. In my work, I search for happiness and then try to convey that joy in the clothes.
I have played a few times in Barcelona, including the fantastic Olympic Stadium. It's undoubtedly one of my favourite cities in terms of the people, arts, food, architecture and design.
I've always known I wanted to be in design somehow. It was going to be architecture, but I would've had to quit acting for it. I realized with horology, I could learn at my own pace.
I'm working on a school of architecture in China. It's rare that an architect gets to design a school of architecture, and here I get to do it. I'm so pleased that they asked me.
I studied fine arts and architecture, but I decided to move into movie design because I grew up in a small town in the Marche region and spent a lot of time after school in the movie theater.