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In film producing, there is an inherent tension between the director, the money and the producer, and that's what keeps it flowing and honest and accountable.
I never had any classes or went to theatre school like a lot of actors, so all of my training has been on stage with different directors. That was a pretty good school room.
I have always been a director first and the whole acting thing just happened because none of my friends wanted to be in my videos, so I had to do it myself and wear a bunch of wigs.
To allow the market mechanism to be the sole director of the fate of human beings and their natural environment....would result in the demolition of society.
I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
Writers, Composers, Painters, - also artists like directors and actors fall into the same category. They have to be handled with kid gloves, mentally and physically
I am often asked at what point in my love affair with films I began to want to be a director or a critic. Truthfully, I don't know. All I know is that I wanted to get closer and closer to films.
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
There's no such thing as "an auteurist filmmaker." Every film directors is an auteur. We only make films that we do because we cannot put on clothes that don't fit us.
When I was nine years old I use to copy ( not trace ) the covers of the Donald Duck comics. Many years later I became a close friend of Jack Hannah, the director of the Donald Duck film shorts.
Every time you start a movie is to explore with a director and if you can with the actors and with the other collaborators and try to figure out what's the best way to tell the specific story.