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I love documentaries and I watch documentaries to no end.
It's said that if two documentary filmmakers meet they talk about the world, if two fiction filmmakers meet they talk about the million that they don't have to make their film.
I had worked in fiction a lot before I started making documentaries, but when I was around 32 or 33-years-old I suddenly got so fed up with the world of fiction, which is so money-centered.
In all my documentaries I did all the camera work, but in fiction I didn't want to do it myself. I think the machinery is so heavy and demanding that you would leave the actors alone for a long time.
The power of the documentary film, when done well, I think is usually more impacting than a narrative, at least for me. Documentaries are also cheaper, they are more accessible to make.
Even the best documentaries reach tens of thousands in their cinematic window. I believe that by launching online, we could potentially reach millions.
There have been so many stories about alcoholism and drugs. Eating disorders are also a form of abuse, but rarely a theme in feature films that aren't documentaries.
Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed the landscape.
If you think that [Yale professor James] Saiers is in the greenhouse sceptics camp, then, if we can find documentary evidence of this, we could go through official AGU channels to get him ousted.
For me, the distinction between documentaries and feature films is not so clear - my "documentaries" were largely scripted, rehearsed, and repeated, and have a lot of fantasy and concoction in them.
I watched this documentary on Madonna. I remember I grew up hearing she wanted to rule the world. Actually, she worked really hard - really, really hard.
After I got kicked out of CalArts, I moved to Lawrence Kansas where my sister lived. I began working on A William S. Burroughs documentary. I had no idea it would turn into such a big film.