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I was born and raised in New York City, Manhattan, uptown.
This (America) is a land of rich diversity, from the towering skyscrapers of Manhatan all the way to the towering mounds of garbage piled up next to the towering skyscrapers of Manhattan.
It's a luxury being able to work every day in the streets of Manhattan. It doesn't get much cooler than that. When you move to New York, that's exactly what you dream of. And I'm doing it.
If you’re purely after facts, please buy yourself the phone directory of Manhattan. It has four million times correct facts. But it doesn’t illuminate.
All I'm saying is that it's shortsighted to blame TV. It's simply another symptom. TV didn't invent our aesthetic childishness here any more than the Manhattan Project invented aggression.
I attended Professional Children's School in Manhattan because my ballet and modern dance schedules were intensive and had started to interfere with regular school hours.
I got a hotel room at New York New York in Las Vegas and I was very happy. They've got that rollercoaster encircling the entire premises, just like Manhattan.
That's the trouble with having the whole world love you. One day, you wake up and it's flirting with your best friend instead. And you don't know what to do. You're thrown.
One of my favorites is "Time and Again" by Jack Finney. It takes place in Manhattan and goes back and forth between 1882 and the 1950s. It's really a cult book.
A new biography of Madonna came out last week, and apparently the biography lists all the men she's slept with. The book is apparently called the Manhattan Telephone Directory.
The underground is not a place but a way of life. You can be underground most anywhere, from the Upper West Side of Manhattan to Hermosa Beach, California.
Great,” Simon said. “Maybe I’ll even make it back before my mother notices I’m gone. What’s the time difference between here and Manhattan?” “You have a mother?” Aline looked amazed.
At least Manhattan, in terms of danger and eccentricity, is much more of a theme park now. You couldn't really shoot the old Law & Order in New York today. It's a different city.
I'm a person who has, to a certain extent, redefined where I should be. I started off in Brooklyn and Queens and I wasn't supposed to come to Manhattan.
My father didn't want to go to Manhattan for me, and I came to Manhattan and I have done a great job in Manhattan. And then I wrote a best-seller and I wrote numerous best-sellers.
When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect, basically a 40-bloc radius from my apartment in Manhattan.
Grief is Newark. It's there. Can't avoid it. The idea is to hold your nose, hope the traffic's not too bad and get on to Manhattan as quickly as possible.
For years I did most of my reading on the F train between Brooklyn and Manhattan. I had long commutes, and I read tons of books on that train; I loved it.
If I had, say, a tall, amateur male lead living on the campus of a rural college (Six Years), the next book might feature a short, cop who lives in the heart of Manhattan (Missing You).
Outside, a ceiling of pearly gray clouds coalesced over Manhattan, and the apartment had grown dark. It just keeps dripping. It's been like this all week, .. Rain would be a relief.
[Manhattan School Of Music] were kind of just getting the jazz program up and going when I first started there. I was 17 in September of 1984 when I started there.
[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.
I would say that what the value of talking about and thinking about a dome over Manhattan is that [Buckminster] Fuller has identified a scale of action I think is actually really compelling.