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I think people are quite surprised that the handwriting I use in my drawings and paintings is my own handwriting. They're slightly shocked when I write them a letter.
I've found from years of trial that the only way I can work is to make sketches in pencil from Nature, purely as reference material for future use in the studio.
It looks to me to be narrow and pedantic to apply the ordinary ideas of criminal justice to this great public contest. I do not know the method of drawing up an indictment against a whole people.
But every human path leads on to God; He holds a myriad finer threads than gold, And strong as holy wishes, drawing us With delicate tension upward to Himself.
They looked great, you know the drawings of the guys playing looked great and bits of string around their necks. So it didn't seem to be that difficult a thing to do, or that inaccessible.
Not only can color, which is under fixed laws, be taught like music, but it is easier to learn than drawing, whose elaborate principles cannot be taught.
While most students were trying to draw one beautiful finished piece, I would be in the background drawing dozens of studies at different angles to use later.
Walk in nature. Take the time to be still. Practicing arts, arranging flowers, doing some drawing, working on a computer, brings a sense of stillness into your life.
I have been to several wars to draw. I went to Vietnam. And made drawings in Vietnam during that period of the war there, and found that to be a very very sad situation.
I shan't get free of my emotion by copying the tree faithfully, or by drawing its leaves one by one in the common language, but only after identifying myself with it.
Certainly paradise, whatever, wherever it be, contains flaws. (Paradisical flaws, if you like.) If it did not, it would be incapable of drawing the hearts of men or angels.
There are many ways to draw beautifully. It's important to let the drawing be an investigation and sometimes, in order to investigate, you need to go off the path.
An act of naming should quite rightly enable me to call any-thing a self-portrait, not only any drawing, 'portrait' or not, but everything that happens to me, that I can affect, or that affects me.
It's as if I were collaborating with myself, revealing my relationship to the material. My hand would make the drawing. Then my mouth would transmit it.
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase. For me, drawing is a lot to do with taking out, with returning to the white of the paper.
It must be a prospect pleasing to God Himself to see His creation forever beautifying in His eyes, and drawing nearer Him by greater degrees of resemblance.