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I love doing readings. I could really give a crap about reviews. It's kind of about the readers.
There weren't too many books by women that were taught in school, so I read those on my own, and the books I read were as accessible as the ones we were reading in school.
I didn’t want to tell the story of myself, but someone I called myself. If you read yourself as fiction, it’s rather more liberating than reading yourself as fact.
Paranormal fiction offers authors - and readers - the chance to answer the question, what if? All the different ways that question can be answered make for extremely entertaining reading.
The nicest notes I've received from readers are those that tell me I've gotten them back into reading for entertainment. For me, there is no greater compliment.
The stories in Get In Trouble confirm once again that Kelly Link is a modern virtuoso of the form-playful and subversive required reading for anyone who loves short fiction.
I think a lot of young aspiring writers get misdirected; they think 'I ought to write this, even though I enjoy reading that'. What you have to do is write what you enjoy reading.
Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story.
You can't ever let yourself be thrown by a camera. That's never good for an actor. When you're reading the script, you want to work with someone you trust so there's nothing to worry about.
I'm just a hired actor who was hired for a particular job, but I think one of the joys of reading the script was the way that the personal and the global are woven together.
I was working in a family business-the fur business - and I hated it. I was reading the New York Times want ads, and I saw a photographer's assistant job in Vogue. Things went from there.
No one on earth is so boring and insignificant that he or she is not worth writing or reading about...One thing's for sure—no one but you can be the hero of your story.
Everywhere I go, kids walk around not with books under their arms, but with radios up against their heads. Children can't read or write, but they can memorize whole albums.