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Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.
I do have a small collection of traditional SF ideas which I've never been able to sell. I'm known as a fantasy writer and neither my agent nor my editors want to risk my brand by jumping genre.
How often we recall with regret that Napoleon once shot at a magazine editor and missed him and killed a publisher. But we remember with charity that his intentions were good.
Assange is not a 'journalist' any more than the 'editor' of al-Qaeda's new English-language magazine 'Inspire' is a 'journalist.' He is an anti-American operative with blood on his hands.
So, this is my plea to all Western editors and producers: Display the Muhammad cartoon daily, until the Islamists become accustomed to the fact that we turn sacred cows into hamburger.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
I'm a writer first and an editor second... or maybe third or even fourth. Successful editing requires a very specific set of skills, and I don't claim to have all of them at my command.
Dare to be a sucky skateboarder or a lousy video editor or a completely crappy golfer. If we do only the stuff we’re good at, we never learn anything new.
Sure, some journalists use anonymous sources just because they’re lazy, and I think editors ought to insist on more precise identification even if they remain anonymous.
I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
The Bush administration works closely with a network of rapid response digital brownshirts who work to pressure reporters and their editors for 'undermining support for our troops.'
Marxists are people whose insides are torn up day after day because they want to rule the world and no one will even publish their letter to the editor.
You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
To entrust to an editor a story over which you have labored and to which your name and reputation are attached can be like sending your daughter off for an evening with Ted Bundy.
There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.
When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.
And that's another piece of advice I'll give junior writers; when you get to the point where they take you to lunch, let the editor suggest where to go.