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I admire Madonna because she always did whatever she felt like doing. She went through some controversial periods when people rejected her, but she kept on reinventing herself.
Who can measure the love Christ felt for a lost world, as he hung upon the cross, suffering for the sins of guilty men? This love was immeasurable. It was infinite.
Certainly survival is important- very important- but at some point surviving wasn't enough. I felt ready to complete my surviving journey and start thriving and just living.
As I've gone along, I felt like I was discovering an aspect of my voice that I didn't know was there: an ability to interpret a song in a way that makes it more accessible.
A voice hissed: "He sheds tears!" It was taken around the ring "Usal gives moisture to the dead!" He felt fingers touch his damp cheek, heard the awed whispers.
I felt the vulnerability, the fragility of the children of the world, and how it was, nonetheless, on their frail shoulders that we loaded the weight of our weary hopes and eternal new beginnings.
Hitchhiking, intrinsically, is sexual and dangerous. At the same time I never really felt scared. I was scared that nobody would pick me up and that I'd be waiting by the side of the road for a week.
After four tortured years, more than 400 over life-sized figures, I felt as old and as weary as Jeremiah. I was only 37, yet friends did not recognize the old man I had become.
In some ways that fight gave me more respect around the world and helped me be even more popular because so many people felt my pain and saw that I was robbed.
I read once that [Pablo] Picasso felt if an artist ever felt totally satisfied with a work she ceased to be an artist. With that in mind, it seems like goals are a terrible idea then.
[On being asked how it felt to be the first female conductor of the Boston Symphony:] I've been a woman for a little more than fifty years, and I've gotten over my original astonishment.
Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.
I always felt Jimmy was trapped in Hollywood. He felt it himself. He loved aviation so much and he wanted to be able to do more of that. He somehow just got stuck here.
Molly Shannon and I used to always talk about that we really felt strongly that we were comedic actors, that we weren't comedians. You just played things real and the comedy came out of the context.
On my best day, I am a seven-point-seven. I could be a hard eight if I felt great. If I went on a good run and had on my best pair of jeans, I could feel right on the money.
Besides that, I felt guilty. I thought for some reason... I was alive, and Buddy and those boys were dead, and I didn't know how, but somehow I'd caused it.
I was black growing up in an all-white neighborhood, so I felt like I just didn't fit in. Like I wasn't as good as everybody else, or as smart, or whatever.
I felt the beginning of a passion, hopeless in the long run, but very nourishing, for identifying myself with people who were not my own, and whose lives were governed by ideas alien to mine.
I never felt like I was stealing anyone's fans as much as I was introducing some younger people to comedy who will eventually find tons of other comedians that they love.
It's all a terrible tragedy. And yet, in it's details, it's great fun. And - apart from the tragedy - I've never felt happier or better in my life than in those days in Belgium.