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Truth maybe stranger than fiction, but fiction is truer.
Whether it is done quickly or slowly, however splendid the results, the process of writing fiction is inherently, inevitably, indistinguishable from wasting time.
There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth.
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
I think human beings exist in a social world. I write realistic fiction, and so it isn't that surprising that the social realities of their existence would be part of the story.
It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.
Every person has a range. In fiction, you get to be it all. I’m as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim.
I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends.
Contrary to all those times you've heard a writer confess at a reading that he writes fiction because he is a pathological liar, fiction writing is all about telling the truth.
Fiction writing, and the reading of it, and book buying, have always been the activities of a tiny minority of people, even in the most-literate societies.
I never wanted my books to be mistaken for poetry or fiction books; I wanted to write reference books. But instead of referring to something, they refer to nothing.
We are living in an era of such interesting new forms, and certainly narrative non-fiction has emerged as a major form. People who are great writers don't have to write novels anymore.
Yeah, I know what your English Professor tried to tell you. But if your English Professor could make a living writing fiction, they would have been doing it.
The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example.
I wasn't aware I'd write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.
I would write light entertainment nonfiction pieces during the day, then come home and work on my fantasy fiction. It was very difficult to get out of the one mindset and into another one.
It is almost impossible to write fiction about the Mormons, for the reason that Mormon institutions and Mormon society are so peculiar that they call for constant explanation.
I always wanted to write fiction. Always. As far back as I can remember it's been integral to my sense of myself - everything else was always a displacement activity.