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I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.
Acting's all about the confidence you exude, especially on film. I mean, nervousness isn't attractive in anyone, but a film camera will seek it out and punish you.
I had no desire to be an film actress, to always play somebody else, to be always beautiful with somebody constantly straightening out your every eyelash. It was always a big bother to me.
What the internet has done is destroy film criticism. I would never have guessed that the profession of film criticism would be going the way of the dodo bird.
I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.
You can never judge how the film will be taken; you can only make your best effort, and put out what you feel. How it's read, you never can tell. Or remembered for that matter.
I like to go from mainstream movies to more artsy films. I don't sign on for the money. Maybe I should, but I don't. There's always a good reason for doing something.
It makes it difficult to decide which to go see, since no film about say, some tragic genocide in Africa is going to get a bad review even if it's poorly made.
My creative partner is a writer, and he's got an executive producing credit on this film. We've made three films together and I would never underestimate the impact of a writer.
I stole a piece of the chess set on the first film. I took a piece of the treasure out of Bellatrix's vault on this film. And I've taken my wand and I've got my cloak.
Every time that I'm challenged with a film I think that I haven't learned anything, that every film is different and that every thing that I have learned is useless in this new adventure.
I think empathy is a beautiful thing. I think that's the power of film though. We have one of the most powerful, one of the greatest communicative tools known to man.
I'm an actor because I love movies, and always have loved movies. I'm a film buff. So, getting to work with those kinds of directors and getting to tell those stories is what I want to do.
My audience is a diehard audience. They are dedicated. My audience always follows me and sticks with me. They're the reason I'm still here - in the films and in stand-ups.
War is chaotic and when you start having a larger scale film and you have a lot of safety protocols and choreography, I would imagine it becomes more difficult.
People are always asking me to do Shakespeare - at home, at colleges, on film locations, in restaurants. It's like playing a piece of music, getting all the notes. It's great therapy.