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'Hunger' definitely changed my life, in terms of being recognized by filmmakers, since that was very much a filmmakers' film.
When the BBC decided to bring Doctor Who back as a feature film a few years ago, one national newspaper ran a poll to ask its readers who should be the new Doctor, and I topped it.
I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault.
That is the thing I'm most grateful for in this industry to be able to spin in those different mediums, with television, film and the stage - at this stage of the game.
I was a big fan of Joe's film, Narc, so when you hear there's a script coming over from Joe Carnahan, you know it's going to be interesting because he has such a fresh voice.
If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.
This will be the fourth time I've seen this film. I'm very proud of it and I think it's a great movie for women of any age. And almost every single man I've talked to has admitted to crying.
A lot of guys try to mingle with me because of who I am. If I encounter a guy with a clean heart, I will go by my instincts. I guess my man won't be from the film industry.
I recently watched Peter Brook's Lord of the Flies, and it wasn't a favorite film. Then I saw the one that was made in 1990, which in my opinion didn't match up to the original.
You know, I don't really do that much looking inside me when I'm working on a project. Whatever I am becomes what that film is. But I change; you change.
A lot of times I'm on my own trying to find research material and things like that and trying to educate myself on the world and the film that I'm working on.
My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end.
I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way.
I'm glad movies aren't going to please everybody, they can't. But what they have to be is recognisable. I don't equate myself with a master painter, but I think you can recognise my films.
The real trouble with film school is that the people teaching are so far out of the industry that they don't give the students an idea of what's happening.
I have seen the film The Alamo and right now I feel like I've got Davy Crockett behind me. Sometimes I feel like I could put my head in a bucket of water
I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.