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To try and raise a budget for a film that is strictly for adults and both strong and graphic in content is not easy, especially when there is pressure to spend serious money on good special effects.
In my films that I've directed, and my work in commercials and videos, I've rarely used handheld. It's just not something I'm drawn to, but I've seen it done very well.
As a younger actor coming up, I wanted to be in films. There's something special about being on film sets; there's an excitement; the people in every department are passionate about what they do.
I feel like a lot of my past career was going to film school, making a lot of different kinds of movies. I made a bunch of comedies, I made one drama and I made a couple musicals.
I love the silent era because you can see the rules being written, the grammar of film being created. Most of my films are in some way love letters to the silent era.
I know how gratifying it is not only to work in film but to be acknowledged by peers; producing 9 to 5 was an opportunity that I valued precisely because it’s so rarely in the hands of women.
I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.
It was such an interesting character and the film really explored his friendship with Bond and how it all went wrong, so it was a very personal journey for both characters.
All sizes of film sets have the same level of excitement and friction and tension and then vast sections of boredom that define the process, so I love it all.
To watch THE WAITING ROOM is to wish it would never end. This is human drama at its most intense and universal. The rare film that can change the way you think and see the world.
I'm reteaming with the producers of 'Twilight' on an awesome script. It's very serious, dramatic and different for me. I'm excited to see what's next. I love all aspects of film and all genres.
I don't see any difference in the craft of acting, in film or television. It's absolutely the same. It's different storytelling, playing a character over multiple hours, as opposed to two.
Timing and pace are important in any film, whether it be comedy or drama. And how better to learn the fundamentals of these show show business ingredients than by dancing?
I'd love to find a small movie that someone would sign off on me to do. I have no aspirations to do a big studio film because I don't think anyone would let me.
When I perform on stage, you have to remember my performance or buy another ticket to the party! In television and film, you can see it over and over again.
"Mansome" was one of those projects where it was a great change to do something fun and look at the subject in an engaging way. My next film is not going to be about pedicures.
I've always found as an actress that the best thing to do in film or TV or theater is just to lose yourself in it. Think of the story, the character, the worlds we're in, and forget everything else.
You learn after you've been in the business for a while that it's not getting your face recognized that's the payoff. It's having your film remembered.
We petitioned to get access to film [Suffragette] at the Houses of Parliament and we whooped with joy when we were allowed in, as this is the first ever commercial film to shoot there.