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When I started I did not know I wanted to be a filmmaker. I started - I made a film. Then when I finished I said, Oh my god it's so beautiful - I should be a filmmaker!
There are certain emotions in your body that not even your best friend can sympathize with, but you will find the right film or the right book, and it will understand you.
A film is one small voice among other large ones. The film is a tiny part of the discourse. You do what you can but under no illusions of what a film can do.
I try to write about small things. Paper, animals, a house... love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.
The average Hollywood film star's ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend.
You have to want to make a film for other reasons - to say something, to tell a story, to show somebody's fate - but you can't want to make a film simply for the sake of it.
I don't understand these national awards, because half of those who sit in judgement over Indian films do not... possess the competence to evaluate a film correctly.
I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better.
After 100 years, films should be getting really complicated. The novel has been reborn about 400 times, but it's like cinema is stuck in the birth canal.
When you are modelling, you are creating a picture, a still life, perhaps something like a silent film. You convey emotion but you are only using your body.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
I am proud of my connections to Carolina and pleased to know that some results from a lifetime of work on television, film, stage and recordings will have a permanent home in Chapel Hill.
You see in Once Upon a Time in the West the whole film moves around her [Claudia Cardinale]. If you take her out, there's no more film. She's the central motor of the entire happening.
I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film.
Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
I like to see films that come out with lower budgets because you're forced into using your imagination. You don't have everything at your fingertips. You have to create it from scratch.
I see a lot of movies. I love films as a spectator, and that's never obscured by the part of me that does the work myself. I just love going to the movies.