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When you've finished the film and everybody's already made back all their money, everybody just leaves you alone and I'm very happy. That's what it has to be like.
The main thing is, you just want to have your place in history. You hope that people will look back on it in 15, 20, 30 and beyond years, and say, "That was an exciting film."
Hitchcock used to believe that if there were three or four memorable scenes in a film that would be enough to drive it, but I don't know if that's true or not.
I'm sort of one of those weird actors who whenever I do a play, I think, "Oh, we should film this." As opposed to have to belt it out of ourselves in a theater auditorium.
I don't do facials or any of that stuff, but my workout regime does tend to depend on whether I have to take my top off in my next film because otherwise I know I'm too heavy.
When I was younger, people used to say you only really prove yourself as an actor on stage. And I disagree with that. Some of the finest acting I've ever come across has been for film.
The play has to work for the super fans, and not speak down to them, and yet it had to play to those people who maybe had never read a Harry Potter book or seen the films.
If you do a fifteen hour day on a film, there's a lot of time standing around but at the end of that, you want to go home to your hotel room and have a bite to eat, watch a movie and go to bed.
There are so many interpretations that this film [The Lobster] could be approached from. But Yorgos [Lanthimos] is so specifically minded, he's so clinical in his direction of the film.
Making a film, you're in a really dark tunnel and the only kind of illumination is the shared experience you're having with your fellow cast and director.
I've started films like Miami Vice where I'm in really good shape and I look back on that film and see the moustache is bigger as I've got a larger face.
Freed from the pressure of haste, the tyranny of film, and now the restraint of clothes, I found myself looking more closely at what went on around me.
I prefer theater and film. I did a little television, and obviously I'm not knocking it. It can be great, and it does pay the bills. But it's a little bit more disjointed.
Having an opportunity to play different characters, and work in different mediums, that's what's fun. The worst question you could be asked is, "What do you like better, film, television or theater?"
Every year there's a jury at the Cannes Film Festival. Getting on the jury is very competitive in France. Not because the French love cinema, but because they love to judge.
Seeing a film at the cinema, or a DVD or whatever at home, your brain is really receptive to not only whether the script's working, or if the actors are acting well, but also the colours.
There's nothing like theater. It's really amazing. But it does take up all of your time. I would like to get into more film, just because I find it super fascinating.
I think Tim Matheson is amazing and I think he's amazing in this - I haven't seen the film [Killing Reagan] since we shot it, but I think he's just incredible.
The thing that made me turn more towards writing was realizing how hard it was going to be to get a singular vision on film and how much more control I would have if I were writing novels.
I was playing the game where I was going to be a great TV or film writer some day and there was nothing else that I thought about, including other people.
Strange - I'm not much of a film person. I love watching films, but they don't stay with me the way books do. Stranger still, because my husband is a screenwriter!