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I'm looking for stories that make me sit up and take notice. For engagement with language and style in ways that the genre doesn't see enough of.
Readers will stay with an author, no matter what the variations in style and genre, as long as they get that sense of story, of character, of empathetic involvement.
I have done a lot of things outside of Science Fiction, but there has been an almost disproportionate amount of that genre in my body of work. I don't know what to make of it.
It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.
I could not flourish in the Hollywood system because the first thing spoken about is "What genre is it?" and "Who's it for?" It's a very strange question to me; it's for human beings.
After I did the first Die Hard I said I'd never do another, same after I did the second one and the third. The whole genre was running itself into the ground.
I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.
It is a different genre - a show about something other than doctors, lawyers and cops. Teachers are something completely different. I think it makes for very interesting television
I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends.
When you strip away the genre differences and the technological complexities, all games share four defining traits: a goal, rules, a feedback system, and voluntary participation.
One of the things I would love to do, by the time I die, is be in every single genre. That would be really fun. I get to shoot guns and jump out of a helicopter.
I have my library separate from the family home, and every room is a different genre. The only room that I can guarantee I've read everything is the horror room.
I'm bored with the same genre, the same remakes of things. I like original ideas and high-concept things where it's off the page and kind of fantastical.
I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.
If we don't keep people engaged, we're not going to move you. And if we move you, we've done something useful. That's what anybody who writes genre knows.
The error in the art-genre of Opera consists herein: a Means of expression (Music) has been made the end, while the End of expression (the Drama) has been made a means.