Ghouls Quotes
Ghouls Quote of the day
Like a cyclone, imperialism spins across the globe; militarism crushes peoples and sucks their blood like a vampire.
When they first cast me, I was a pretty avid fan and vampire movies and Celtic mythology, so I was excited to get a chance to walk in Doyle's shoes and have fun with it.
Capital is dead labor, which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks.
Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.
I'm not afraid of werewolves or vampires or haunted hotels, I'm afraid of what real human beings to do other real human beings.
Contrariwise, if it was so, it might be; and if it were so, it would be; but as it isn't, it ain't. That's logic.
Film actors reach a certain level, but they don't get beyond it unless they work in the theater.
I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.
The reason good women like me and flock to my pictures is that there is a little bit of vampire instinct in every woman.
When I was filming 'The Haunting Hour', my co-stars Emily Osment, Brittany Curran and I paid a visit to a haunted house - all dressed up as vampires! We really confused the workers.
As soon as people see my face on a movie screen, they knew two things: first, I'm not going to get the girl, and second, I'll get a cheap funeral before the picture is over.
All the old great companies were run by guys who knew what an animator meant, and guys who knew how to draw. All the companies today are run by executives.
We knew Chris Matthews had no shame. Now we also know the king of TV ghouls has no souls
The most difficult novel I have had to write in terms of just getting it done was The Vampire Lestat. It took a year to write.
It grossed something like 12 million dollars and started a cycle of so-called boy-meets-ghoul horror films.
If we knew exactly what animal life was like before the fall into sin and knew what nature was like before the law of entropy invaded it, we would already be living in heaven.
When we first broke into that forbidden box in the other dimension, we knew we had discovered something as surprising and powerful as the New World when Columbus came stumbling onto it.
When I was growing up, I always knew that if I ever got anything, I was going to give back as much as I can. I learned that all you have to be willing to do is give your time.
The whole theme of Interview with the Vampire was Louis's quest for meaning in a godless world. He searched to find the oldest existing immortal simply to ask, What is the meaning of what we are?
I knew nothing about film at all. I suppose the biggest surprise is all these things. In the theatre we sort of do, I might do two or three key interviews and that would be it.
I think that my vampires in general were influenced by my being allowed to watch the Hammer vampire films. Vampire Circus, also shown as Circus of Fear, was one of those movies
I've got one idea I want to do for a film and you know I just enjoy myself doing bits and pieces.
When other little girls wanted to be ballet dancers I kind of wanted to be a vampire.
But with the Berlin, I was able to allow him to get near, but not quite near enough, and I knew where to draw the line with the fortresses I had set up.
Nixon did have a secret plan, and I knew that it involved making threats of nuclear war to North Vietnam.
There was no male vampire type in existence. Someone suggested an actor of the Continental School who could play any type, and mentioned me.
In film, you can't go into analytical explorations because the audience will reject that.
We knew we did not want to record at Impulse Studios again, after the experience of recording in a 'real' studio in London for the Radio One session we did.
Here is how I work: when I think that a film needs to have a principal theme, I search for a melody.
I never knew any Jews until I got into show business. I've found them to be real smart and good workers.
If you were a warrior, you would know that the worst thing one can do is confront human beings directly.
It was not really a career choice that I had to make. It was something I knew right from the beginning. I had to be an actress... period.
As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.
I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.
It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
It's amazing that this is still news to people, but that affects the final outcome of the film. When people are treated well, and they're made to feel valued, they give 110 percent.
I want to be a blonde vampire. Catherine Deneuve was a blonde vampire, and she was my favourite vampire ever.
There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there's the super vampires, which are a new breed we've created.
