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At the end of '69 I did a gig with Jean Luc Ponty here in L.A. He was an electric violinist.
I learned the songs and played the gigs, and then they called me about a month later. They told me they were like super stoked on me and asked me to join their band.
Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.
Now when I say Sophie Ellis-Bextor I feel that's not really me because that's become this entity from doing the gigs and the shows and the make-up contracts and whatever else.
Swimming and athletics are the big gigs at the Olympic games. Cycling and rowing are pretty big for Britain, but globally, the two big things are athletics and swimming.
All my shows is about a party. We party from the door then we get into the gig, get back to the middle then we gonna party at the end. It's all a good time.
Television is where you earn regular money so you can plan a little bit but even then only when you have a regular gig. If you're just doing the odd appearance, you don't know if it will carry on.
T.V.s weird because its both the greatest gig as an actor potentially because it can be all this work for all this time, but there are so many question marks at every stage of the process.
As a fanboy myself, one of the fun things about the gig has been every time I get a new script, I get to find out more about his day - to-day life and what goes on and what his relationships are.
Athens, much like Austin, is a difficult music scene. There are so many musicians there that it is hard to get gigs and hard for people to take you seriously.
To come out in the music business, you only really get one shot. A lot of people get to play small gigs first, and build up that way, without anyone really seeing them.
I would say, you can never do enough gigs and you can never do enough songs. Make sure that every opportunity you can, play a show and every opportunity you can, write a song.