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My stand-up is quite good now, people say. It's just like a big conversation each time. Every gig is a rehearsal.
You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.
My first pilot gig; in fact my first job in television; was 'Freaks and Geeks,' and the experience of directing that pilot was probably the single most formative of my directing life.
People don't recognize me from gig to gig. They have no idea. But, that's really what I strive to do. I strive to stip myself down completely and build another human and become them.
There was a period when I stopped talking so much, because I was just going through certain things. I just did the gigs and just stayed in, tried to stay away.
I was occasionally getting calls for some things. But I would say, 22 to 29 was a lot of scuffling. Hoping to get called for bad wedding gigs and I did do an off-Broadway show for about 15 months.
Teaching has definitely become a big part of my life in the past ten plus years. As it often does for many dedicated players. Because you can have some great gigs.
I wrote for Roseanne. I wrote her stand-up act with her. I wrote with Tom Arnold. There was a period when I was working with them pretty steadily. But I would take brief gigs here and there.
I remember Gale Gordon was in the pilot [of Hi Honey, I'm Home], and it was one of my very first professional gigs without having an adult take me to the job.
People recognize me all the time now, and there's lots of autograph hunting and smiling. But then I get to play gigs, which are amazing. It's a good job.
The only way to get better at stand-up is to do loads of gigs, and I don't know. I spread myself pretty thin to get the stage time. I'd love to do more, really.
If the baby is sick, you won't find me showing up to play my gigs. If I have a contract, there is going to be a clause in that contract saying that if the baby is sick I will not appear.
The art helps, between the acting gigs. I feel that if I can sing in Mamma Mia! then goddammit, I can hang a few paintings, give people lots of cocktails, and have a good time.
And I never missed one concert. In 89 shows, I think I did one a bit suspect show. In the old days, I'd pull gigs left, right and center because I was too f - - up.
I went to Texas a few times for gigs and adopted the cowboy look. Every man, at some point in his life, goes through a cowboy stage - everyone! Well, at least everyone that I look up to!