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Maybe you just get so attached to the music of your youth that you think it's better than what's coming out now.
I work out the other bits, too, but I need to know what I look like, very early on. And then it's like a template; I'll fill that person out. If I get that out of the way, then I'm all right.
I work out as little as I can for as much gain as I can. Yoga and a little bit of ballet -- only 30 or 40 minutes every other day. I keep supple for myself more than for roles.
My perfect Sunday is waking up at 10 - which, you know, those days are over for me - but waking up at 10, breakfast with children, hanging out with well-behaved children.
For the future, I would suggest avoiding subjects of too vast a scale. It would be useful to make out a list of fundamental questions on the matter to be dealt with, and discuss only those.
I've got a New Zealand film coming out here called Out of the Blue. It's a very heavy story, and it's the first time I've played a character who is alive.
There is so much poetry, and yet nothing is more rare than a poetic work. This is what the masses make out of poetical sketches, studies, aphorisms, trends, ruins, and raw material.
I read everything by Ian McEwan, he is so elegant. I love reading anything about Shakespeare, too. He is my first love. If I had a time machine, I would be hanging out with him.
The more you relate to something or somebody speaks to you, it means more. I think that putting yourself out there like heart-on-sleeve, is really important.
Kids are a huge sacrifice; they change everything - but I'm ready to work for things of greater importance than going out to meet someone for dinner at 10 o'clock at night.
One thing living in Japan did for me was to make me feel that what is left out of a work of art is as important as, if not more important than, what is put in.
I felt like going out on the road and mixing it with music - which is something young people are always really interested in - would be a good way to proselytize. It was like feminist evangelism.
When you're stressed out or nervous, the logical side of your brain goes out the window and you have no idea what's happening. But, that is a lot of fun. It feels like you are an action hero.
People expect you to be this weird cartoon sometimes when you're a musician. I hate that. I hate standing out. I hate people looking at me. I just want to be part of the crowd.
I'm not coming out trying to prove anything to anyone, like, 'Oh, I'm in assless chaps!' or 'I can't be tamed!' I've already been through that phase. I started at 23, you know?
What's interesting about my project recently is that I'm going out into broader global spaces but then isolating at the same time - sort of pushing out but then pulling in.
You can't just build a huge chest and arms. You need to work out your body evenly. Otherwise, A, you'll look weird, and B, it's not the best for your body.
I love going out for any audition. I'm very professional, I study my stuff, I work on it, and even if I'm not right for the job, so what? I know I did my best.