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I'm not very good at the accordion. If I played guitar, I wouldn't be on anyone's album. But because I play the accordion and no one else does, I end up doing strange things.
I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.
My main objective with a home studio - I could get into doing full band demos - but my first objective is to cut things like guitar tracks and solos at home.
A trumpet sounds pretty much like a trumpet, and that's true of a lot instruments; pianos sound like pianos, but there's something about the guitar - the range of possibilities is much broader.
A lot of the songs are written on piano or guitar, so I contribute, and I have done so since the beginning. So it's been good to be involved completely musically as well.
Everybody would grab a guitar and listen to somebody else and call themselves a folk singer. When they didn't know no more songs, they'd run out of them.
We've got horse property and there's other stuff to do. Like, four wheel driving, we barbeque, drink beers, sit around and play guitars and have a merry 'ol time
At one point [Cardew] taught himself to play guitar simply in order to take part in the performance in a composition by Boulez, which is a little like saying he learned Danish to read Kiekegaard.
On acoustic guitar I tend to stay in the key of D for some reason. On electric guitar I keep basic: C, G, D, and A. The key of D minor is also real good for me.
I just play, just you know, If i just sit down with the guitar and just do whatever for, you know, an half an hour or an hour whatever. That's pretty much, that should do it for me.
I shared guitars before I actually got one of my own and played a guy's Silver tone and played another guys Danelectro 12 string and it was at about age 17 that I actually started playing.
Swinging at daisies is like playing electric guitar with a tennis racket: if it were that easy, we could all be Jerry Garcia. The ball changes everything.
Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.
My voice is my improvisational instrument, the melody instrument. The guitar is harmonic structure. I'm not a good enough guitarist to improvise on it.
I used to cut guitars out of a piece of cardboard to copy the Strat look. I used a backwards tennis racket for a while and graduated to the cardboard cutout.
The bulk of my set is instrumental and you have to give yourself and the audience some relief because a performance is not about great guitar playing it's really about entertainment.