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I'm a big fan of revenge, I think [Sweeney Todd] it's a story of a man who clearly has obsessions to avenge the horror that happened to him.
There are things of such darkness and horror—just, I suppose, as there are things of such great beauty—that they will not fit through the puny human doors of perception.
I have a horror of the word 'flesh', which has become so shopworn.Why not 'meat'whilethey're about it? What I like is skin, a young girl's skin that is pink and shows that she has a good circulation.
So you find yourself surrounded by death and horror in the world, and you escape it into lust. But lust has no duration; it leaves you again in the desert.
He wasn't someone fighting for racial equality. He was the leader of a violent, Communist revolution that has nearly succeeded in all of its grisly horror.
I am, after all, a thriller writer. I routinely delve into the darkest chambers of the human heart. I've written about murder, kidnapping, depravity, horror, violence, and disfigurement.
My mother had a look on her face that I'll never forget. It was one of complete despair and horror, for losing Bing, for being so foolish as to think she could use faith to change fate.
For life is terribly deficient in form. Its catastrophes happen in the wrong way and to the wrong people. There is a grotesque horror about its comedies, and its tragedies seem to culminate in farce.
It's cool to see everybody come together and do their own thing, but there's never been any drama. I never saw any on the X-Men set, and I never saw any on the Horror Story set.
I read a lot of articles about young women in the resistance. All of a sudden, I felt that if I go too much into this horror, then I won't be able to start as a fresh character.
In fantasy, impossible things exist. In science fiction, impossible things exist and can be understood by humans. In supernatural horror, impossible things exist and cannot live in peace with humans.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
It is easy to face Death and Fate, and the things that sound so dreadful. It is on my muddles that I look back with horror--on thethings that I might have avoided.
I think good suspense and horror is really about creating situations that are relatable, and throwing a wrench in it and watching how people respond to it.
I know it's such a boring interview sometimes with us at 'American Horror Story', but I just can't say a word. I would certainly love to be back, that's for sure. It's such a great job.
I do love old horror, everytime I watch Rosemary's Baby the performances just get richer and richer and more multi-layered, and I see images that are just so politically outrageous. I love it all.
When you make a thriller/horror, darkness is [your] friend, because it lets the imagination go wild and what not. So you always end up going into darkness.
You have to have horror that is entertaining, where you can laugh. Most people don't want you to laugh at horror. They just want you to just be disgusted and terrified.
The first horror movie I saw, in first or second grade, was My Bloody Valentine [1981], where there's a deranged killer in a miner mask stalking a small coal town.
I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.
I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
I have my library separate from the family home, and every room is a different genre. The only room that I can guarantee I've read everything is the horror room.
Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
My life would be constrained by the horror and fierce rage that my appearance inspired, but I would know peace as well as fear, tenderness as well as brutality, and even love in a time of cruelty.
I think all the characters in 'American Horror Story,' which is why I love it, are looking for some sense of meaning, and also it's their form of happiness.
Horror, let's face it, is basically pretty dumb. You're writing about events that are preposterous, and the trick is to dress them up in language so compelling that the reader doesn't care.
Books like Twilight are not art. They are mass-produced crap that is meant to be consumed by the widest possible audience, for the largest possible profit.