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The reason that I'm considered to be prolific is just because I'm a good listener. It literally is me taking dictation when I write. I'm listening and typing as fast as I'm hearing the words.
Give yourself completely to the act of listening. Beyond the sounds there is something greater, a sacredness that cannot be understood through thought.
One of my favorite things is when I'm listening to a song and I find my own meaning in it that I can relate to and I can create my own relationship and bond with the song.
When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I used to play the piano by listening to it - like Chopin pieces, when I was, like, a little kid - and then the minute my parents got me lessons to read music, I couldn't do it anymore.
Turn up the TV. No one listening will suspect, even your mother won't detect it, no your father won't know. they think that I've got no respect but everything means less than zero.
Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music.
I always knew I wanted to be a musician, and I always knew I wanted to write, 'cause the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.
My grandma said - when I was really young and I'd sing along to the radio - why do you sing in an American accent? I guess it was because a lot of the music I was listening to had American vocalists.
I'm not going out there and doing the same material every night. I have this amazing audience of fans who have been listening to me, some of them since 1975.
Keep any description of trouble or sickness or error minimal, for there is something inside which is listening, and it says, 'Oh! You like this! I will make you a lot more of it.'
Who approaches collaboration with agenda in terms of content? The agenda is only in terms of process, which is generosity, listening, careful thinking.
My own musical background is based in the blues, and in classical composition. I grew up listening to Muddy Waters, John Coltrane, Miles Davis, Beethoven and Bach.
By and large, Americans close their ears to anything not in English. That's stupid because there's some great music around the world that we should be listening to.
People aren't really paying attention when they're listening to your record, so unless you're shouting exactly what you want them to hear, they don't pay attention.
I figured if you want to get to where John Hammond is or Billy Gibbons is or Peter Wolf is, you have to start listening to the same stuff they did, and learn from that, and that's what I did.