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My mother once said, 'If you come across a man with more than one personality, you can be sure he's looking for himself in one of them, because he has no character.' But I think she was wrong
I think I’ll stay in pieces. I can shift them, rearrange, depending on the day, depending on what I need to be. I can change on a whim and be so many different girls and none of them has to be me.
One’s love for his country is a very sacred emotion that is intertwined with their sense of moral obligation and is an essential part of one’s identity.
At any moment when you are you, you are you without the memory of yourself because if you remember yourself while you are you, you are not for the purposes of creating you.
What we define ourselves us can sometimes bring forth the best images of ourselves--or vice versa, will create some of the worst restrictions we place on our lives.
I do believe that people can only be in love with one landscape in their lifetime. One can appreciate and enjoy many geographies, but there is only one that one feels in one’s bones.
I think that's the hardest part about mistakes: Sometimes the consequences aren't physical. Sometimes they simply chip away at the essence of who you are.
Sometimes I just get tired. I get headaches, and I just lose track. I mean, it's like which is me and which is the role? Where's the line between me and my shadow?
Not everything written on Kafka is Kafkology. How then to define Kafkology? By a tautology: Kafkology is discourse for Kafkologizing Kafka. For replacing Kafka with the Kafkologized Kafka.
a square is not just about light, air, proportion, and people. It must also give form to some shared notion of civic identity. [Michael Kimmelman, "Culture: Power of the Place"].
You can tell it any way you want, he said, you can be I or he or she or we or they or you and you won't be lying, though you might be telling two stories at once.