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Television was the only band of its ilk that treated the guitar with delicacy, not as simple rhythm support for teenage aggression.
Practice. Listen. Use you ears. And as Rob [Halford] said, that team effort. You can learn your instrument in your room, but being in a band is more than playing your instrument.
Listen to other people. Respect the other people in the band, and work together to create something that is larger than the sum of its parts. And have fun.
I met The Beatles while we were playing in Germany. We'd seen them in Liverpool, but they were a nothing little band then, just putting it together. In fact, they weren't really a band at all.
I thought that Christian was a noun, a person looking for authenticity. I never understood that idea that a band could be Christian or something could be Christian. But it just can be and is.
Sometimes I'll go out into the crowd and keep singing, but I'll get maybe seven rows out and I'm out of synch, I'm a couple seconds behind the band and then it becomes chaos.
The typical computer network isn't like a house with windows, doors, and locks. It's more like a gauze tent encircled by a band of drunk teenagers with lit matches.
I was competing for attention in a four-piece band that was phenomenal, and I was trying to attack the blues from a kind of white English viewpoint as a singer.
I'm quite happy for my voice to be pushed up, whereas in the past I wanted it buried with the guitars, or part of the band, not like I was thinking of myself as 'the singer'.
We were all anti-Reagan, we were all politically-aware, we were all anti-war and things like that. These days a lot of the newer bands don't even really talk about that sort of stuff anymore.
I dont know whos left to hear us. But if there are people who want the real thing, weve got it. My band rocks, and I plan to keep doing it till nobody shows up to see it anymore.
It's taken folk a while to come around, hasn't it? Even the boys in the band weren't too sure about the whole art thing. They just wanted me to concentrate on the music. But they respect it now.
I was the drummer in a band called Hemsworth for a brief stint, too - it was not very great. I didn't even write the songs, but the band was named after me.
It's kind of strange to be in a band for ten years, because you've just given ten years of your lives to it from touring, and you don't know [or] even notice the passing of time.
While I was in Montrose, the publishing checks went into the band's coffers. This was our management's decision; we were just financing ourselves on the road.
I feel like you've gotta be able to get up every night in front of a live audience. Whether it's 10 people or 50 people or a hundred people, whether you're in a rock band or doing the comedy circuit.
My friend worked at a record store in Burlington and I really liked R.E.M. and a lot of music, but I didn't go to see much. I was 16, so I wasn't in bars unless I knew the band and could get in.
In terms of covers, it's always nice to do ones that aren't actually getting played by the original artist anymore. I just love the song; I love that band, and it's nice to be able to play it.
To be appreciated by a whole 'nother generation of fans, all of a sudden discovering you, it's kind of what I did with the classic bands I love - the ones that influenced me.