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Yes, but I have to say this: the band is going to decide where the band plays.
When I got sick this past summer, I couldn't - my mind just wasn't on music. The rest of the band understood. But once October came, I felt ready to get back again.
I love the intimacy of small venues, I really do, I like that look that people have that they feel like they're special and they can hear and they can see the band as well.
When that band started out, I was 18 years old. So that was my reality all the way up until I quit the band. And even then, you know, Guns N' Roses has a nasty way of sticking around.
Sleater-Kinney's biggest momentum was from the press - that, second to Radiohead, they got more positive press than any other band in America in the 90s.
Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.
If you'd rather learn how to ride a horse or something, I would say do that. That'll keep you out of trouble. You would think a band would get you in trouble, but I think it's the opposite.
When I see four young kids in a band, I think, That looks really fun, no matter how shitty they are. You develop your own thing, and get excited about your band name. It's all so harmless.
It was an important period for us, because even though we weren't a "punk band", and what became a model for a punk band, we were able to be dragged along by the spirit of that time.
You can't run away from your identity. Even if I went to another band, I'd still be Lips from the band Anvil. I've spent my entire life trying to be that, that's what I am. There's nowhere to run.
The lesson there is that there's no hiding the sound of a band that is bored with its own music. Whatever it takes to create the sound of excitement, that's what you want to do.
My friend Fred Coury, the drummer in '80s rock band Cinderella, told me that in the rock world, you're either still there, or you're struggling to get back to where you were.
I know what it takes to make a band, how they should interact, what makes a record sound like it's a band - everything having to do with a band, I happen to be into.
It's really hard when you break up with somebody, or somebody breaks up with you, and you're in this band; guess who you have to see in the next day in the hotel in the breakfast room? That person.
When you stop worrying about all the things that can go along with playing in a band and you let go and do it because it's fun to do, things seem to work.