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I'm looking for stories that make me sit up and take notice. For engagement with language and style in ways that the genre doesn't see enough of.
Redundancy of language is never found with deep reflection. Verbiage may indicate observation, but not thinking. He who thinks much says but little in proportion to his thoughts.
I want to tap into different styles. Something definitely mature, sultry, sensual, easy listening that everyone can enjoy. Every one of every race and everyone that likes different styles.
I was wildly out of style when that television theme song suddenly pushed its way onto the Top Ten. It was certainly not the record company trying to make that happen.
I don't want to be a Michael Moore-style artist, which is not to disparage Michael Moore. But he seems rather unsuccessful at winning people over who don't already agree with him.
For there was never yet philosoper That could endure the toothache patiently, However they have writ the style of gods, And made a push at chance and sufferance.
Men, when they fight in movies, it's a very different style. Harrison Ford was so cool when he had the whip, and Bruce Lee was such an artist that you couldn't take your eyes off of him.
I think it was the right time for me to retire because nowadays tennis is too incredibly fast and you can say that my style tennis went out of fashion.
You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
Around 5th and 6th grade I thought Dean Martin was the coolest guy in the world; he was a great singer, had his own television show and acted in movies.
The more composed scenes are like elevator music compared to some of the more dynamic styles of music. One is not better than the other. They both deserve their spots in the world.
Like, I kind of developed my musical style in a vacuum. Even though I listen to a lot of stuff, the way I wrote was in my bedroom, really privately. It's still the way I write, actually.
No matter what I do, my songs come out in a certain style, and if that sounds like Dead Kennedys, then there's probably a reason for it. Don't forget, I wrote most of those songs, music and lyrics.
Whether it's fashion or it's home, it's all about style. The clothes we wear send a message about how we are perceived, and our home does the same thing.
I think my comedic style is at once bashful and explosive. It's a little bit perverted, and a little bit ladylike and old-fashioned, which is a great mix. Sort of tangy.
The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh.
I don't know if I'm an impressionist or an expressionist. You can call me an American first... I've been labeled doing neimanism, so that's what it is, I guess.
There is no doubt that Bronstein's shrewd understanding of chess psychology was crucial to his success. Without it, his impetuous style and technical flaws might have relegated him to a minor career.