Interviews Quotes

Spring is the Period Express from God. Among the other seasons Himself abide, But during March and April None stir abroad Without a cordial interview With God.

They think my life is glamourous. It's not true. I obviously get to come in and do radio interviews. That's the glamour. But other than that, I eat and sleep and that's it. Eat, sleep and do shows.

I have done interviews in the past, and they cut everything out except for the outrageous line, and then they take it out of context.

I am utterly bored by celebrity interviews. Most celebrities are devoid of interest.

I think interviews can be fine. It's just there's this terrible fear of coming off wrongly or saying something that gets taken out of context.

I think the day that I become comfortable doing interviews and going on talk shows is the day that I don't know what it is to be a human being anymore.

After an extensive interview he arranged for my weaknesses in foreign languages to be over-looked and so I started a Biology degree at Birmingham in 1967.

At work, conversation increases productivity. And yet people go into work, put on their headphones. In one interview, somebody called it - they become pilots in their own cockpits.

My opposition to Interviews lies in the fact that offhand answers have little value or grace of expression, and that such oral give and take helps to perpetuate the decline of the English language.

Interviews can be stimulating. It depends on the intelligence of the interviewer.

When I did that interview with Hepburn, the only ground rule was, you did not discuss Spencer Tracy. Spencer Tracy's widow is still alive, and she respected that.

Follow up the interview with a phone call. If Carrot Top can figure out how to use a phone, so can you.

You must stop this interview now as I have come to end of my personality.

I terminated the interview when I didn't know what he was talking about and went upstairs to lunch.

I say really stupid things sometimes. When I go back and watch some of my old interviews from when I was younger, I just cringe.

Warhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.

I am an extremely private person. I always feel that I come across as a caricature of myself whenever I do interviews.

My first reaction at the very idea of this interview was to refuse to talk about photography. Why dissect and comment a process that is essentially a spontaneous reaction to a surprise?

It's strange for my friends when they see me on TV and in magazines, because the person that they see doing interviews and pictures on the red carpet is not the person that they know.

You just have to hope that they'll grant you an interview.

I love doing interviews that are about work that I do, films that I make. I am not very interested in the rest. I think I have always been quite reserved and a bit frightened of that whole thing.

I never turn down requests for interviews. I'm just rarely asked.

Quentin [Tarantino] is a filmmaker who really dives into things very seriously and deeply. And when he does interviews, he really wears his heart on his sleeve and he doesn't hold anything back.

I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.

I don't think of myself as giving interviews. I just have conversations. That gets me in trouble.

David Bowie was awesome the easiest, coolest interview I have ever done.

Being intellectually hospitable is a virtue that I bring into the interview space.

MTV was such a great training for me. I did live interviews with everyone from Michael Jackson to Madonna.

Giving interviews is the most difficult thing about being a gymnast.

I stress out so much about the red carpet and interviews and pictures, and, you know, not getting my skirt tucked in my knickers.

I don't make a list of questions. Ever. I think a lot of my interviews are driven by my need to feel connection.

They ask me what the biggest thing I have going on right now is, and I usually say, "I think this interview?" And then they don't get that it's a joke. So then I say, Yogi Bear 3D. That's my default.

The way I work, the interview never becomes larger than the person being interviewed.

I apologize for my terrible interview skills.

In 1991 I did an interview wherein I described myself as a 'teetotal Christian,' which was an exaggeration, although I do like tea and Christ.

But even when I do give interviews, I always come across as such a completely different person. It seems like there's no controlling it anyway.

Everything has changed. An interview has become such a confrontational thing. It makes you very defensive.

As critical acclaim and response has built up, every interview I give is a chance to puncture the myth I've created about my work and refine it.

Recruiting is hard. It's just finding the needles in the haystack. You can't know enough in a one-hour interview.

Whomever you're going to interview, you have to be interested in what it is you want to know from them. You have to be interested in the subject.

I have dictated stories from an airport after writing the story out in longhand on the plane that I got from phone interviews and then was applauded by editors for 'working magic.

When I do interviews, I always go in with the attitude that something good can happen from it.

After a subsequent interview at Brooklyn Poly, I was hired, and life as a fully independent researcher began.

All I do is give interviews and spend time being photographed.

The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!

When I started, there were no big interviews, no television, no profiles and all that. The publishers were quite shockingly uncommercial, but they did look after their writers.

When I interview people accused of capital offenses, I never even ask if they did it. I would consider that unprofessional.

And the Institute sent me a little film footage of Kinsey himself preparing to do an interview for television to talk about his work, so that was quite valuable for me.

I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.

If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.