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Put an Irishman on the spit and you can always get another Irishman to turn him.
I started hitching about the country when I was 16 or 17 years old. I found the music that was played around the country - Irish music - had a particular resonance.
Ireland is a peculiar society in the sense that it was a nineteenth century society up to about 1970 and then it almost bypassed the twentieth century.
The way I see it is that all the ol' guff about being Irish is a kind of nonsense. I mean, I couldn't be anything else no matter what I tried to be. I couldn't be Chinese or Japanese.
It is a great comfort to a rambling people to know that somewhere there is a permanent home--perhaps it is the most final of the comforts they ever really know.
I find being Irish quite a wearing thing. It takes so much work because it is a social construction. People think you are going to be this, this, and this.
I grew up in a big Irish family, where everyone played the traditional sports, and I remember my grandfather saying to me, 'Why are you playing that communist game? You won't get anywhere with it.'
My mother came from an Irish family of 11 kids and, of course, had a sister who was a nun, so I spent time at a convent and with an aunt and uncle who lived in New York and took me to the theater.
Caitriona Balfe, who is Irish, is also in my movie. I asked her to play her Irish accent in the movie, but her own brogue is so faint that I had to keep pumping it up.
Blue grass was the outgrowth of Irish music. As a matter of fact a lot the tunes, a lot of the melodies and the jigs... have different names but are actually the same tunes.
Why do we like being Irish? Partly because It gives us a hold on the sentimental English As members of a world that never was, Baptized with fairy water
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
I don't feel I have to defend myself for being English or for being Irish, because, in a way, I don't feel either. And, in another way, of course, I'm both.
The Irish way of telling a story is a complex and elaborate one, complete with wild exaggerations, a certain delight in improbable fantasy, and a heightened sense of drama.