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One of the key problems is that the Germans know what they do because everywhere they go there's a 'made in Germany' label on it - they can feel proud of Volkswagens and Audis and Mercedes.
I don't have much time for shopping so I pick things up when I can. My favorite labels are APC, Isabel Marant and Agnes B because the clothes are cut small and have a simplicity to them.
Would I describe myself as new Labour? I'm Labour, organised Labour. I think labels have a limited use and that's where you really get into boy stuff sometimes, just sticking on labels.
I think when we stop putting labels and start worrying more about the performance, that's when you're able to cross over and make yourself a household name and go everywhere.
I love the road. That's always been my goal. I've said that to many record labels. I want to make records. The road is my favorite. Some people hate the road, I love the road.
All my work at Armani is based primarily on my personal vision of style, and while I differentiate between the look and mood of my various labels, I am never overly concerned with being 'on trend.'
There are Marxists and there are people that are socialists. But the label of Marxist takes on a whole new meaning. Even socialist for a while took on a whole new meaning.
A man is called a traitor, or liberator. A rich man is a thief or philanthropist. Is one a crusader or ruthless invader? It's all in which label is able to persist.
The labels are in a jam. For a company to do well in music now, it's got to be in all aspects of the business. And Live Nation is the risk-taker. It's leading the charge.
I think we should be talk about what we want to do for the country. But if we're going to get into labels, I don't think it was particularly progressive to vote against the Brady Bill five times.
You always hear 'black Republican,' but you never hear 'white Democrat.' We've got to get beyond the labels and stereotypes. Other people have hang-ups about it. I don't.
I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.
My experience working with a major label was not all bad, I was blessed to go through that experience, and I know what to do during the next time around.
When I was on the big labels, I never calculated what would make me sell more records. I just did what I did -no different than when I wrote songs for myself in high-school.
I realize that labels are placed upon an individual to simplify him or her, but it is impossible to capture the essence of an individual by a few words.
Back in the '80s and '90s, when there was still a record business, there was pressure on anyone who was fortunate to have a few hits on a major label to continue that success.
I'm not interested in the fact that a writer may label himself as being intellectual or anti-intellectual. l'm really interested in the stuff he's turning out.
I have a vision in my hand that the labels have these vaults, like Scrooge McDuck, except instead of gold coins they have these demo CDs, and sometimes they just go in there and take a swim.
The potential success that could come with signing with a major label didn't quite outweigh how important it was for me to make my music the way I knew it needed to be made.