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Vogue is not a practical magazine, it provides sensations, feeling, moods, you like the photos.
When you're in a good mood, bring up the past. When you're in a bad mood, stick to the present. And when you're not feeling emotional at all, it's time to talk about the future.
I am not a good enough writer to have an agenda or come up with a message and try to put it into a song. It's more like you write what comes to you... You try to reflect the mood of the songs.
Tolerance should, strictly speaking, be only a passing mood; it ought to lead to acknowledgment and appreciation. To tolerate a person is to affront him.
My fantasy is to have a restaurant where there are no written menus, but where you just ask people, What are you in the mood for? Fish? Meat? White wine?
I have a friend who, if she has a bad hair day, it affects her whole mood because it is part of her sexuality, her confidence. I don't have that problem any more.
Lighting is not about function. It's much more about the mood and the emotion that the playwright and the director are trying to create. Our job is to support their poetic direction.
The good part about being famous is being able to help people. The hard part is every day you have to be in a good mood, because that is what people expect. You learn to get good at it.
When we're on set, we kind of joke around, and when we're rehearsing, we change up the scenes and make each other laugh. We lighten up the mood. The blooper reel is going to be amazing on 'New Moon.'
Since you're going to die anyway, why not go do whatever it is you are in the mood to do. To postpone anything is ridiculous, if it's important to you.
Some of the ideas are kind of inspired by the songs, and I always want to use music to tell the story and give the movie a certain kind of mood. That's always essential to me.
Doubtless these are inconsequential perplexities. Still, inconsequential perplexities have now and again been known to become the fundamental mood of existence, one suspects.
The thing about kids is that they express emotion. They don't hold back. If they want to cry, they cry, and if they are in a good mood, they're in a good mood.
By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
I would like to go mad on one condition, namely, that I would become a happy madman, lively and always in a good mood, without any troubles and obsessions, laughing senselessly from morning to night.