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Nothing seems more like a whorehouse to me than a museum. In it you find the same equivocal aspect, the same frozen quality.
No matter that I have inhibitions enough to fill all my pockets; I keep trying , hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed.
I am growing to love DC.This [Washington] is a beautiful city. I think every citizen should come see their capital. A lot of the museums are free, there are restaurants that are reasonably priced.
The fact that the work is affirmed by the Museum of Contemporary Art I think sends continued signals that this is worth paying attention to, looking at, and understanding.
My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall.
If you had a large vase with a big crack down the middle of it, a Japanese art museum would put the vase on a pedestal and shine a spotlight on the crack!
Wisdom is a living stream, not an icon to be preserved in a museum. Only when a practitioner finds the spring of wisdom in his or her own life can it flow to a future generation
My position on how to address the Confederate flag is clear. In Florida, we acted, moving the flag from the state grounds to a museum, where it belonged.
We used to build temples, and museums are about as close as secular society dares to go in facing up to the idea that a good building can change your life (and a bad one ruin it).
In Italian museums are sometimes found little painted screens that the priest used to hold in front of the face of condemned men to hide the scaffold from them.
We console ourselves with the comfortable fallacy that a single museum piece will do, ignoring the clear dictum of history that a species must be saved in many places if it is to be saved at all.
It was 1975. I had spent the year at the Boston Museum School doing some very bizarre performance works. The last one included going to the North Magnetic Pole and spending all of my money.
The Arab who built himself a hut with marbles from the temple of Palmyra is more philosophical than all the curators of the museums of London, Paris, and Munich.
I love museums, and I think they're fantastic, but they don't touch the people who I frequently think need to be touched with at least some reminder of legacy.
I'm interested in making works for museums in a way that make the space feel domestic, and I'm always thinking about how this work will be part of someone's daily life.
This is the worst problem with living history museums. They always leave the best parts out. Like typhus. And opium. And scarlet letters. Shunning. Witch-burning.