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First I was a European-style player, then I was a downtown 'noise guy,' and now some people call me an Americana guy.
Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story
The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.
As my own boss, I have the opportunity to get to work with great brands, like Old Navy, and I get to style some looks together that people can actually buy and afford.
So while you're trying to improvise, you're also trying to puppeteer, you're doing everything that you need to do to perform a puppet in our style, for a camera.
I love Cher Lloyd's music. I didn't actually hear her music as I was creating my own, but it's cool that we have styles that are considered to be similar.
I think that it's always more interesting to combine familiar sounds together in a new way and with newer sounds if you can make it work, rather than sticking to just one style too strictly.
I held four clean aces. I had youth, almost a decade of hard-core bar band experience, a good group of homegrown musicians who were attuned to my performance style and a story to tell.
There are famous examples of people who just had really strange ways - [Jimi] Hendrix being the biggest example of that. Or someone like Keith Richards, he just has a really idiosyncratic style.
Smokey and the Bandit was the first picture [Hal Needham ] directed, and I knew he could handle it. I had just directed Gator, and he saw my style and used that as a pattern.
From time to time I think I made some errors in judgment, but I have some really fashionable friends and I feel I've cultivated my own sense of style and what I feel comfortable with over the years.
Everyone has a different training style and being a female, sometimes you find you have to get really aggressive. Some people respond really well to aggression, some people don't.
I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.
Giving someone their style or bumping up their sense of style to be a better version of what it is, is part of the fun of what I do, and I actually approached Al Sharpton. They didn't come to me.
I need to shop because generally, I really do style myself. It's easier to wear clothes that are true to who you are. But if it's a headache, I'll ask for help.
Nothing is too long or too short either if you have a true and interesting tale and what I call a "graphic" writing style combined with educational aims.
Speech recognition is utterly crap for writing fiction. If you try reading a novel aloud you'll soon figure out why - written prose style is utterly unlike the spoken word.
For a sampler, you could try my short story collection "Wireless". Which contains one novella that scooped a Locus award, and one that won a Hugo, and covers a range of different styles.
I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.
I had an appreciation for clothes and style starting at a young age, my mom was always very fashionable and I loved playing dress up in her closet. So I think my passion for design was always there.
Being a mathematical genius doesn't do you any favors as far as having something to say in music. You see every style as equal, and you want complicated music to devour.