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It's very hard to describe your own style. And I'm young, so I'm still experimenting. But I think it's quite British and very much about individuality.
I love the silhouettes of the '50s that were feminine and womanly without being too revealing. I've always gravitated towards that kind of sense of style and fashion.
I play hard and aggressive. I don't lay out the huge body checks because it's not really the style I play. But I love to be around the net and love battling corners and trying to dish pucks out.
I'm an actor/singer who moves well... sometimes. I'm actually a great mover but not every style fits my body and a dance call back is my worst nightmare.
When you can take something that is a reject at the thrift store sitting on the bottom of a pile of junk and make it work, make it look interesting, that's real style to me.
I don't like precious things; I don't spend thousands of dollars on jewellery for myself. I like going into a junk store and finding something for five dollars. That's my style.
I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.
When you refuse to fight guys because you say you are better than them, that is not really being the best. If I could just fight certain fighters that fit my style, I would look great in all of them.
If I were to live in Africa, serving the poor, the number-one thing I'd miss wouldn't be running water or electricity - it would be style... being able to get dressed up and feel beautiful.
I have chosen to parody the writing styles of Carlos Castaneda, James Redfield, Richard Bach, Lynn Andrews, and several other best-selling new age authors.
He managed to do this 'tour de force' of styles without ever breaking the narrative structure of the chapter he was writing. It is the most brilliant parody of writing styles that I have ever read.
Clothing is art. It's an expression of how you feel. I think that it's not so much a question of a certain style or designer, but of finding the type of clothing that works well for you.
Be a great capitalist. Be a great socialist. Be a great whatever you want to be, but do it with style, clarity and precision. That is the hallmark of those who seek higher knowledge and truth.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
Anatoli Tarasov, the guy that created the Soviet style of play, was a visionary. He was a creative thinker. He studied ballet and chess and art and read a lot.
Like baseball, food will never go out of style; we will always need to eat and we will always find it entertaining. I think of food TV this way - all the fun and none of the calories.
I was a big fan of Jim Hall as well. I liked his comping style, his accompanying. And that he played, generally, four note chords, the top four strings of the guitar.
I've never been much drawn towards satire of any kind. I don't like that style whereby you kind of stitch people up. But the deeper thing is that I just find these people so impressive and admirable.
Many intelligent people, when about to write . . . , force on their minds a certain notion about style, just as they screw up their faces when they sit for their portraits.