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The good part of working in TV is it's like being a studio director in old Hollywood and approaching different genres. It's a chance to try out different styles.
I was really drawn to spoken-word style poetry. I loved the rhythms, and for some reason, I was just drawn to this poetry as a way of expressing my feelings, because I didn't have any other outlet.
Style ... is a peculiar recasting and heightening, under a certain condition of spiritual excitement, of what a man has to say, in such a manner as to add dignity and distinction to it.
Washington is a place where people have always been suspect of style and overt sexuality. Too much preening signals that you're not up late studying cap-and-trade agreements.
I think every director's different. Every director's got his own style. I mean, when I directed, I basically just screamed for eight hours a day, twelve hours a day.
For me I look at a group like Queen or AC/DC or the Beastie Boys. There was melody within what they did. There was a certain style with what they did. I think it is coming back.
Absolutely, although every congregation will say, you know, every worship leader will say it's vital. It's very important, but again these are, you know, these are different cultural styles.
I don't consider myself a person of fashion because it's too sophisticated. My thing is I look at style like swagger. I like things that pull me, that I gravitate to.
I think a lot of programs, policies have been put in place since 9/11, have prevented a 9/11-style attack. On the other hand, I think the threat has become greater, not lesser.
I've never had a method of working. I change according to circumstances; I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
My style when I was 17 was very low-key with jeans, T-shirts, and Converse. I was signed to a major record label by then, so I had stylists helping me.
Most of the people you look at in the early days of Harlem - the zoot suits, the music, the style of fashion, the vibrant colors - that's all influences from the south.
[Donald Trump] is a man known for a large personality, a colorful style and lots of charisma. And so I guess he was just looking for some balance on the ticket.
I'm not really picky. Just as long as it's not the harder style of rap - anything that's about being on the come-up or your wealth doesn't go that well with marimbas.
I enjoy writing in a lot of different styles, so I pushed to find that vicious place, or that vulnerable place, and let it exist as intensely as I could.
House of Style' changed my life. I literally had no experience in front of a TV camera before, and there I was taking over for Rebecca Romijn. My exposure heightened instantly.
By being able to play different styles I can get more work. I also learn so much from each of those experiences. It keeps everything from getting stale.
I told [my daughter Amy] at an early age that she had a good ear. But I didn't influence her music much. She's pretty much developed her style on her own, and she's a talented songwriter.
I had my style of moving and dancing and whatever I do. What you have to do, is take all the fighters you want and me and rank me where you want. I can't tell you.