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Every movie requires its own style. Just be honest to the story. Tell the story in the best possible way that is different, exciting and original.
I love to cook. My dad's a really excellent cook and his style is: Look in the fridge and make whatever there is with whatever ingredients you have and I like cooking like that, too.
I would say that I definitely play a different role with my style; I like to mix it up a bit according to wherever I am. I dress differently in New York, L.A., Paris and London.
The Paris attack was highly sophisticated, well-planned, very clever, took months in the making, very much like 9/11. And there is a 9/11-style attack coming to America.
The most durable thing in writing is style. It is a projection of personality and you have to have a personality before you can project it. It is the product of emotion and perception.
This is very much part of my style, I work a lot on the back - I love the back of clothes for men. I love even T-shirts printed behind. I think, "Why do you want to show only the front?"
Some-one called my style 'sense of urgency' guitar playing and I've always admitted I often don't know where I'm going when I solo. But that desperation is what makes it exciting.
I think everyone is pretty excited about me. I have a style that any fight fan would love. I am a real value-for-money fighter. People want to see me against the elite.
Incorporating an awareness of style in the paintings gives them a kind of electricity and holds them together. It can plug you into the moment at which they were made.
'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp.
After being an Impressionist, Cubist, and an Abstract Expressionist, I was influenced by realistic artists, including Andrew Wyeth in the late '50s, and I haven't changed my style since.