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Narration Quote of the day
The rules say that to tell a story you need first of all a measuring stick, a calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.
God help you if you use voice-over in your work, my friends. God help you. That's flaccid, sloppy writing. Any idiot can write a voice-over narration to explain the thoughts of a character.
Time is the nervous system of narration, whether factual or fictive. If it gets confused some of the minutiae of human nature are certain not to work, not to glow, not to strike home.
I think all good narration contains an element of mystery and suspense. If it didn't, if the storyline were predictable, we would have no interest in reading it.
Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That's a supreme joy. And why the characters keep showing up.
If you find that a point cannot be made without narration, it is virtually certain that the point is unimportant to the story (which is to say, to the audience).
landscape, that vast still life, invites description, not narration. It is lyric. It has no story: it is the beloved, and asks only to be contemplated.
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
Never yet could I find that a black had uttered a thought above the level of plain narration; never saw even an elemental trait of painting or sculpture.
To choose the ideal voice for a character is to give a character an ardent and vivid life, to allow him or her to speak, rather than speaking for them, in an older style of omniscient narration.
I wasn't aware I'd write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.
This land has brought forth numerous children, favouring both the bad and the good ones. It is not the land that is responsible for the people’s hardships, it is the people themselves. Pg.8
A director's dream? No, Bollywood reality in 1995.Business is booming, but cliché's are passée. A different sort of breeze-fresh, young-is unsettling fatigued conventions.
It is the human habit to think in centuries from a grandparent to a grandchild because it just does take about a hundred years for things to cease to have the same meaning as they did before,