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I really admire Werner Herzog and Spike Lee. They're amazing documentarians. If you took away all the narratives, they'd just be amazing documentarians.
People don't think in terms of information. They think in terms of narratives. But while people focus on the story itself, information comes along for the ride.
'God' - as revealed in his book of edicts and narratives is practically an idiot. He has nothing to say that any sensible person should want to listen to.
What gets left out is the narrative between the bullets, which would tell us who's going to do what and how we're going to achieve the generic goals on the list.
Anyone telling about his travels must be a liar, . . . for if a traveler doesn't visit his narrative with the spirit and techniques of fiction, no one will want to hear it.
It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know.
Whenever science attempts to legitimate itself, it is no longer scientific but narrative, appealing to an orienting myth that is not susceptible to scientific legitimation.
We construct a narrative for ourselves, and that's the thread that we follow from one day to the next. People who disintegrate as personalities are the ones who lose that thread.
One of the reasons that politics lets us down is that we keep comparing it to our ideal narratives, to politics on TV or in the movies, which is tidier and better fits such structures.
Going slowly [...] was the best way of being reminded that there is a relationship between Here and There, and that travel narrative was the story of There and Back.
I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen
I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.
Our response to the world is essentially one of wonder, of confronting the mysterious with a sense, not of being small, or insignificant, but of being part of a rich and complex narrative.
When you're looking through a magazine, what makes you stop and think is when you see an image and imagine the narrative that is going on inside of it. Those are the ones I make into paintings.
The word story is intended to alert the reader to the fact that, however closely the narrative may fit the facts, the fictional process has been at work.