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History is the narrative of people searching for a place to go.
For me, intuitive thinking means associative thinking; intuition causes us to introduce narrative or figurative elements into a poem before we're able to explain why those elements belong.
Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.
My sonnet asserts that the sonnet still lives. My epic, should such fortune befall me, asserts that the heroic narrative is not lost - that it is born again.
The word "story" is short for the word "history." They both have the same root and fundamentally mean the same thing. A story is a narrative on an event or series of events, just like history.
What gets lost in the textbook is the overall narrative. It gets lost in all the boxes and all the photos and all the little stuff that's stuck in all the time.
There is a narrative behind every image. I often imagine being able to see the photographer standing behind the camera, or perhaps crouching or running with it.
Writers know - especially new writers - [that] a lot of it [creative process] is the prewriting stage, the talking, brainstorming, the narrative arc and the character sketches.
Narrative stories are nothing but models of karma and causality - how one thing leads to another. And a lot of narrative fiction is about causality that we don't immediately understand.
I'm glad that Jewish kids are taught about the Holocaust and other stories in our history, but I wonder if there are ways that this information and narrative can be transmitted differently.
I never start with the story first, which is maybe obvious, because the narrative line of my films is really not that strong or dramatic. They're very simple.
My view of an excellent novel was probably set in the golden age of fiction in the 19th century: narrative, character and voice are of equal importance.
I'm not interested in being perfect when im older. Im interested in having a narrative. It's the narrative that's really the most beautiful thing about women.
For me, a tour show should have a narrative; it should have an arc. It shouldn't just be, "Here's one joke, here's another joke." That's not my style. They all have to somehow link together.
Directing music videos, especially ones that are concept/narrative driven is challenging in itself, but Directing a music video within a digital video environment is even more difficult.
If I believe that abortion is wrong, and I want to convince you that it's wrong, there's no reason I should recount to you my personal narrative of how I came to believe this.
I found that while it was interesting to travel around and take the photographs, I would find that I was more interested in the stories behind the photographs. I was more interested in narrative.
We need narrative; it feeds us in a particular way, and deconstructing it completely before you've actually experienced it, I think it leaves us unfed.
Somebody once asked me if I have anything like faith, and I said I have faith in the narrative. I have a belief in a narrative that is bigger than me, that is alive and I trust will work itself out.
I'm one of those apocalyptics. From the start of my immigrant days, I've been fascinated by end-of-the-world stories, by outbreak narratives, and always wanted to set a world-ender on Hispaniola.
When I was singing "King of the Mountain," it was a pivotal point in the show. That's the song that took us from this concert setting of individual songs into the theatrical narrative piece.
Marie Houzelle is a master of the first-person narrative. In Tita she has created a strange, utterly original child whose deadpan certainties are a beguiling invitation to readers of all ages.
When State Way Gardens and The Robert Taylor Homes were being torn down, it seemed like a perfect opportunity to use that as a backdrop for the development of a super hero narrative.
Ralph Angel was such a great character. The single-father image has been portrayed in so many ways so having the ability to be a part of that narrative excites me!
I think people respond to truthful, simple narrative, and the more you try to dress it up to try and do something else, the harder it is for people to relate to.
Oftentimes, when people don't respond to text messages or emails, I just start writing long, long in-depth essays and diatribes where characters start to appear and narrative threads begin.
To be simple, I would say a story has to have a bit of narrative, if only "she says," and then enough of a creation of a different time and place to transport the reader.
When writing, you can't break physical rules. You can't have people come back from the dead. That's cheating. I am a kind of narrative fundamentalist in many ways.
As we begin to become aware of the narrative patterns around which we structure our lives, we learn how to take charge, revise, refine, and even completely rewrite them.