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'Leonie' did get made and it was an extremely wonderful experience. I got to travel the world. I filmed for 6 months - 3 months in New Orleans and 3 months in Japan.
Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.
I have no doubt that the government of this great nation will work with its people to lead New Orleans and the Gulf Coast back to an enlightened, proud, safe part of the world.
You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.
At 14, I was playing in clubs until 3 A.M. My dad was the district attorney of New Orleans and my mother was a judge, so I saw hookers and drugs but I never wanted that life.
In his speech President Bush said we need to rebuild Iraq, provide the people with jobs, and give them hope. If it works there maybe we'll try it in New Orleans.
I like New Orleans music, I like Memphis music and I like the way that the sound like those places. I like how there are stars and there are people in those cities that are revered in the community.
I look at the calendar. If it's a nice place, I go, like I did in London when it came to choosing to do a film. I always choose the best locations. New Orleans. That's fun. I'm available. Let's go.
I've just been writing a column about the way in which Fallujah and New Orleans are looking to be twin towns in effect. They're both been worked over by the Bush Administration.
The people of New Orleans have gotten to rock bottom. And the only way out in my mind is for them to really understand it, and then to really choose to get better.
I went to New Orleans for the first time for Wild at Heart, and I kept going back to make more movies there. I've become very close to the city and part of me does feel like a New Orleanian.
One of the best moments Ive ever had in New Orleans is seeing Bourbon Street filled on a weekend night not long ago. Just watching the city breathe again.
Half of my family has a deep-rooted connection to the South and Louisiana, and for me, New Orleans is one of our most precious, historic communities: visually, emotionally, artistically.
So I sit there kicked my heels, thinking about New Orleans, and watching a morbid blue-bottle fly attempt to commit suicide by butting his head against the windowpane.
One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.
He turned around to see the bass drum popping and the horn sections pointing their instruments to the balconies and sending glorious notes to the rooftops.
It is an affront to our present, and it is a bad prescription for our future. History cannot be changed. It cannot be moved like a statue. What is done is done.
The fight wasn’t over, ” I said through gritted teeth. “I’d have won it.” Probably. “Right, ” he said. “And something just flew past your window. It was oinking.