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New York has no truck with the past. It expels its dead.
To have a museum like the Museum of Modern Art in New York is to have power. I don't have any interest in being the director of an institution that has power.
My family are very, very religious in Texas. They're Southern Baptists. I left to go to New York when I was 17 and I realised I wasn't Southern Baptist. That's not how I am inclined.
That's what New York is like - you can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.
Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
New York white youth were killing victims; that was a 'sociological' problem. But when black youth killed somebody, the power structure was looking to hang somebody.
Being Puerto Rican, born and raised on the streets of New York, you go, 'Wow, you're still friends with your ex, man? Really? That's weird.' I don't play that.
When I moved to New York, I felt very strong emotionally and mentally. Aside from touring, I'd spent a couple of years alone and because of that, I was able to go out in the world again.
All I really want is a three-room house. The home I have designed at my new farm in Bedford, New York, is a three-room house: bedroom on top, living room in the middle, and kitchen on the ground.
Well the thing is that the New York of 1846 to 1862 was very different from downtown New York now. Really nothing from that period still exists in New York.
I think what happened there was just the budget would be too big to build these sets because nothing really exists here in New York of that period; you have to build it all.
There are people in New York who feel I should have more of a hometown approach. I feel we have to be a mirror and reflect whats happening on the court.
I was this person with this weird last name from New York that no one had ever heard of. But my screen test I guess, according to him, was the best. So I got the part, which was incredible.
People don't seem to have a problem with a romanticized New York, in fact that's almost all they ever do, in some sense, is romanticize that place. Los Angeles deserves the same courtesy.
Being in the entertainment industry in L.A. is the equivalent to being in the publishing industry in New York. You don't ever have to hangout with anybody else.
New York at night, from its bridges, is a miracle. When I first came to the city, it took all my fantasies and set them on fire, turned them into flickering constellations of light.
We need everyone to participate to make our city safe. And we know that the vast majority of immigrants are contributing positively to our economy and to our society here in the city of New York.
There's a fascinating statistic: One out of every four people in America has visited New York since 9/11. It is astounding. Now, I don't know how you count it; it's some people coming multiple times.