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I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon.
Germans try to categorize films: in a comedy, you just laugh and in a drama, you're not allowed to laugh. I don't believe in that, sometimes we laugh and cry in the same hour.
I definitely prefer working in comedy over drama, but at the same time, when it comes to comedy, I tend to prefer comedies that have a great sense of truth to them and that come from an honest place.
I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
We are in constant danger of being not actors in the drama of our lives but reactors, to go where the world takes us, to drift with whatever current happens to be running the strongest.
That grand drama in a hundred acts, which is reserved for the next two centuries of Europe-the most terrible, most questionable and perhaps also the most hopeful of all dramas.
Drama is not my passion. If I do it, it's for a check. It's not what I want to do. Comedy's my thing. Stand up's my thing. Everything that comes from that is frosting on the cake.
In a comedy, after the day is done, you can figure out ways of how to make it even funnier for the next day. In dramas, it's very different - the mindset that you're in.
I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.
A third variety of drama ... begins as tragedy with scraps of fun in it ... and ends in comedy without mirth in it, the place of mirth being taken by a more or less bitter and critical irony.
When the drama attains a characterization which makes the play a revelation of human conduct and a dialogue which characterizes yet pleases for itself, we reach dramatic literature.
We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.
There could be great thrillers or great dramas or great comedies made in that world but everyone's afraid of it. So you have to do them as these crazy little independent movies.
One of the things that makes any good entertainment, whether it's a play, drama, comedy, television, film, whatever, is that you feel a certain amount of spontaneity.
I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.
Comedy has to be so much cleaner than drama. You can't layer it in the way you can a dramatic performance. Which is why it's more difficult than drama - you don't have so many tricks.
Yet who can say how our souls have been stamped by witnessing such a cruel drama? All souls are hostages to their human envelopes, but souls must decay and suffer at such indignity, don't you agree?
Just as it's unfair to review a taco stand for not being a four-star restaurant, I also have to be mindful that not every drama on TV is trying to be "The Wire."
People are often surprised by the fact that I laugh a lot, that I look like Lena Dunham, and that I don't want to make relationship dramas for the rest of my career.
Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him.
Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.
Sometimes, one gesture comprises an entire drama, the accent of one word ruins an entire existence, and the indifference of one glance kills the happiest passion.