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There's not a comedy actor who doesn't want a chance to do drama, and vice versa. As actors, we're always looking to be pushed and to do the other side of the coin.
I think that if youve got 5 million people that enjoy drama and invest in characters, you must take the time to not worry about your job and getting sacked and just go for it and hit it again.
I much prefer to watch actors and writers create "humanizing" moments for characters. In a drama, "humanizing" is far more impactful and powerful than "redeeming."
I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.
I find that in preparation for a drama you can do a lot of character work and develop the character and know what you want to achieve and project throughout the course of the film.
All of the sadness and drama you have lived in your life was rooted in the making of assumptions and taking things personally. The whole world of control between humans is based on that.
When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.
You don't get to see all my family drama, you don't get in my relationships, and you don't get to live inside my personal life. But if you don't pick at me, I'm pretty open to just let you in.
I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered.
Shakespeare's plays often turn on the idea of fate, as much drama does. What makes them so tragic is the gap between what his characters might like to accomplish and what fate provides them.
I think that there is a role for food to be art; and when food is art, it can have drama, it can have spectacle, it can be theatrical. It can be this amazing experience.
A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny.
I don't want to hear any drama [about me]. I don't want any negativity. I don't want to hear what's on the blog. I don't care what others say about me.
I've always loved the drama and the creating of a role and performance and all that comes with that, but I then also kind of like to have just the white picket fence life if that makes sense.
I don't think rap really fits in to 'American Idol' in the sense that I believe rap is an art form in itself more akin to poetry, more akin to drama, if you will.
I have always been very fond of them (drama critics) . . . I think it is so frightfully clever of them to go night after night to the theatre and know so little about it.
I do believe we are actors in our own dramas, which, moment by moment, we ourselves write; that we are characters in our own fictions or those devised for us by someone or something else.
I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.
It's funny but when young people say to me "what can I study to be a force for change, should I study law or biology or business?" My answer is music, drama, journalism, communications.
I can't relax when I'm watching a biographical drama, because it's so close to what it is that I do that I just long for more fiction - so that I can switch off.