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I took a drama class in elementary school, and I just remember having so much fun with it. From there, I just studied, got better as I went along, and continued to grow.
My real name is Madeleine Wickham, under which I write dramas with an edge of humour. As Sophie Kinsella its fast, all-out comedies, such as the Shopaholic series.
My worst holiday was in Athens when I was a young drama student at Rada in 1965. I ran out of money. I had my things stolen and I wasn't able to speak a word of the language.
I'll do whatever I can do to remain employed. I'm just not precious about doing comedy or doing drama. I never want to do something in order to prove to other people what I can do.
If someone said, "Would you like to do the period drama?," I'd say, "Hell, yeah! I'd love to do that!" To dig into history and do a story in some period would be great.
For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.
I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.
I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.
The business of the dramatist is to keep himself out of sight, and to let nothing appear but his characters. As soon as he attracts notice to his personal feelings, the illusion is broken.
Having the audience know more than the characters is precisely where you want to be in terms of drama. You can engage them much more when that is the case.
The weird thing about drama school is that you train for three years for one thing and then more often than not, it's something that you haven't trained for that you end up doing.
I actually don't subscribe to the notion that comedy is easier than drama. When you're trying to be funny and you're not funny, that's really terrible. It's a horrible feeling.
Obviously neither 'American Idol' nor 'Dancing With the Stars' is a variety show in the classic sense, but the way they incorporate elements of drama, comedy and suspense is moderately ingenious.
A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
That's the wonderful thing about drama and writing and fiction: it's this wonderful shared experience that we all have. We can see into each other's lives.
Cafe De Flore speaks of love, its joys, its pains and its dramas - to love and to lose. This story upset me, I was upside-down, in the depths of myself.
My philosophy is making a movie is difficult enough and I just feel as if you should have a really good time when you do make films whether it's a drama or a comedy.
Whence had they come The hand and lash that beat down frigid Rome? What sacred drama through her body heaved When world-transforming Charlemagne was conceived?