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Empathy is patiently and sincerely seeing the world through the other person's eyes. It is not learned in school; it is cultivated over a lifetime.
When people are really suffering, and we know they're suffering, that question can be a very difficult one. Inadvertently, I think without anyone meaning it, it communicates a lack of empathy.
In my opinion, being an effective leader requires being an effective listener. The most productive leaders are usually those who are consistently willing to listen and learn.
I'm less interested in slasher, and go more for roles that can affect you on a personal level. I'm interested in human empathy in the movies I see, and in the ones I am a part of.
The media, far from being a conspiracy to dull the political sense of the people, could be viewed as a conspiracy to disguise the extent of political indifference.
I've always felt you don't have to be completely detached, emotionally uninvolved to make precise observations. There's nothing wrong with feeling great empathy for your subjects.
As far as you can, get into the habit of asking yourself in relation to any action taken by another: "What is his point of reference here?" But begin with yourself: examine yourself first.
Other people are merely mirrors of you. You cannot love or hate something about another person unless it reflects to you something you love or hate about yourself.
The hearing that is only in the ears is one thing. The hearing of the understanding is another. But the hearing of the spirit is not limited to any one faculty to the ear, or to the mind.
I find that the monsters are usually the people that I have the most empathy for because they're the ones that are hurt the most. There's a reason why they're the monsters.
We've reached a point where we are not a very empathetic people, and art without empathy is art without an audience. My basic viewpoint is that without art we're alone.
The world doesn't just revolve around you. There's a lot of talk in this country about the federal deficit. But I think we should talk more about our empathy deficit.
I think self-destructiveness is given a really bad rap. I think it can also mean self-reflection and poetic sensiblity. It can mean empathy, hedonism, a libertarianism.
I think empathy is a beautiful thing. I think that's the power of film though. We have one of the most powerful, one of the greatest communicative tools known to man.
The most important thing in comedy - apart from empathy, which I think is important even if disguised - is surprise. I like surprising people with the fact that something's even a joke at all.
Filmmaking is challenging for men and women. In both cases, it is incredibly difficult. And gender is neither a guarantee of greater sensitivity, capacity for empathy or aperture.
Competitiveness is just as much a part of our nature as empathy. The ideal, in my view, is a democratic system with a social market economy, because it takes both tendencies into account.
I'm not a fan of justifying bad behavior or justifying why people are the way they are. I think that's a cop out. I don't have a lot of empathy for that.
You need to be empathetic in your own personal life and we help our neighbors and our friends out who are struggling in our neighborhoods. But we don't make bad decisions based on empathy.
Writing is an act of empathy. You are occupying and understanding a point of view that might be alien to your own--and work is often the keyhole through which you peer.
We need empathy to give empathy. When we sense ourselves being defensive or unable to empathize, we need to (a) stop, breathe, give ourselves empathy, (b) scream nonviolently, or (c) take time out.