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If ambitious fantasies make people blush, and sexual fantasies make people blush and feel guilty, fantasies of violence and death may make people blush and feel guilty-and frightened too.
Health systems usually deal with the consequences of violence. We normally, in the health system, don't have the tools to prevent it, because these require policy interventions in every arena.
People need to understand that hip-hop that has gun talk is just for entertainment; similar to if you were watching a movie. Film schools don't have anything against movies with violence.
When violence becomes imbedded in a region, then this affects everything. It affects your dreams, your fantasies and relationships, and your religion becomes violent, too.
Many entire nations are marginalised by the more powerful nations. That is causing imbalance, violence and terror. Women must do their best to introduce another perspective.
I think it's very important what young people see in pictures or on TV or in magazines. Drugs, violence, anorexia. All of the things that I absolutely do not reference in my photos.
I wouldn't be a part of anything that had acts of violence toward children. I don't think I would do a horror film, either. That just doesn't sit well on my soul.
When I first started out I actually was trying to use music to promote feminist ideas and at certain points, anti-violence against women and girls-type causes I was involved in.
If you like capitalism, you will positively love depressions, because they are one and the same, like manic-depressives and their cycles, like spouse-abusers and their storms of violence.
I feel like I barely survived Django (Unchained) emotionally - the violence, hearing the N-word every day. It cost me a lot psychologically, but it was worth it to tell that story.
That's a very, very touchy subject, domestic violence. I think women don't realize is it's something that's very prevalent. It goes on, on a daily basis.
The poet resists the pressures of reality, including the pressures of violence, in making, in forming, the poem. The tension is in the resistance - the poem is an act of resistance.
It was not the violence of our enemies [in World War I] that would undo us, I thought, but our own spiritual weakness, the shallowness of our convictions.
To help break the cycle of domestic violence, we must allow survivors to take time off from work without fear of losing their job, to go to court, to see a doctor or to find a safe place to live.