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There were some things that I found I really enjoyed singing about; like, on the title track, there's this film-noir character of a woman who's sort of losing it in a room.
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.
When I pair food and wine, I start with the food. If I have a beautiful roasted bird, I might choose a Cabernet or Pinot Noir, or maybe a Syrah, depending on the sauce and what is in my cellar.
There is something missing in a lot of digital filmmaking, something I call "poetic reality." That's something you see played out in film noir, where the technique establishes the mood.
Film noir has a mood that everyone can feel. It’s people in trouble, at night, with a little bit of wind and the right kind of music. It’s a beautiful thing.
Where are we? (Jericho) Noir’s happy place. It’s where he brings the beings he wants to play with. (Asmodeus) Punish. (Jericho) You say ta-mah-to. I say to-mah-to. (Asmodeus)
I pity those born of the lighter side. They have no understanding of how seductive cruelty is. The music made out of screams and pleas for mercy. Mmmm. Nothing better. (Noir)
Noir is dead for me because historically, I think it's a simple view. I've taken it as far as it can go. I think I've expanded on it a great deal, taken it further than any other American novelist.
I wouldn't presume to define noir - if we could define it, we wouldn't need to use a French word for it - but it seems to me it's more a way of looking at the world than what one sees.
Flawed characters... a ticking clock... morally questionable acts on all sides... moody, evocative art... oh yeah, this the stuff crime noir fans love!
I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.
Anything that has to do with noir and space, I'm gonna love. When you've got a noir-ish, pulpy detective in a science fiction show, I'm all in, in that regard.
There are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
Steve needed to be careful here. He'd read mid-twentieth-century science fiction so he knew that once you started switching realities you ran into problems with nested levels of existence.
No! The mission was to terminate one Hipo officer. Not four by random. You didn’t get him so the operation was a failure.”Johannes aka ‘BB’The Informer by Steen Langstrup