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I have read all my novels that were translated into English. Reading my novels is enjoyable because I forget almost all the content in them.
When I write a novel I put into play all the information inside me. It might be Japanese information or it might be Western; I don't draw a distinction between the two.
I enjoy thinking myself into other times and places. I don't like some of the conventions of the 'historical novel', but I think there's a way of doing it that has a lot of merit.
Mostly the subject of the photograph, which can be anyone really, coming down the street - someone that has no idea. "Heroism" in photography, just like in a novel, is for everyone.
That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.
I got into my usual obsessive writing frenzy, using all the material I'd worked on for so long and crafting it into a little novel [Bridget Jones's Baby: The Diaries].
I liked teaching Henry James. When you look down at a Henry James novel from a helicopter height, you find an intricate spider web that all clings together.
Certainly, we do not need to be soothed and entertained always like children. He who resorts to the easy novel, because he is languid, does no better than if he took a nap.
Unlike novel characters, comic book characters last an eternity. When a character is changed beyond recognition, there's no longer the merchandising aspect.
You think you're writing one historical novel and it turns into three, and I'm quite used to a short story turning into a novel - that's happened through my whole career.
The evasions of her little novel were exactly those of her life. Everything she did not wish to confront was also missing from her novella--and was necessary to it.
The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men's genius.
I can see myself wanting to write a historical novel - you don't need to worry about references to reality TV or pop music, you can just get on with the basics of story and character.
The Next Right Thing has humanity, humor, and insight to burn. Author Dan Barden takes the clay of the California hard-boiled novel and shapes it into something new.